An activist organization has claimed to have scraped a vast number of tracks from the popular streaming service and is getting ready to release them publicly.
Observers noted the apparent data breach could boost artificial intelligence firms looking for material to develop their models.
An entity known as Anna’s Archive said it had scraped 86 million music files from Spotify and 256 million rows of associated data such as performer and record names. The company, which hosts more than 100 million songs, stated that the breach did not represent its entire catalog.
“We have located and deactivated the malicious user accounts that engaged in unlawful scraping,” said a company spokesperson.
The Swedish company, which has more than 700 million subscribers worldwide, further explained that an investigation into unauthorised access identified a third party scraped public metadata and used illicit methods to bypass DRM protections.
The streaming service does not believe the music acquired by Anna’s Archive has been released yet. Anna’s Archive, which is recognized for offering links to pirated books, wrote in a blog it wanted to create a ‘preservation archive’ for music.
The group claimed the music files accounted for 99.6% of all music streamed to by its listeners and would be distributed via ‘peer-to-peer networks’, a method of exchanging large data files online.
“Naturally the service doesn’t have all the music in the world, but it’s a great beginning,” commented Anna’s Archive, which describes its purpose as “preserving humanity’s information and heritage”.
Ed Newton-Rex for protecting artists’ copyright, remarked the leaked music would probably be utilized for developing artificial intelligence systems.
“Training on illegally sourced data is sadly common in the tech sector, so this stolen music is almost certain to end up training AI models,” he stated.
The group's website alludes to a large online archive, a huge online archive of copyrighted books that has allegedly been used by Meta to develop its AI models.
The co-founder of an artificial intelligence company posted on the professional network that individuals of the public could in theory “create their own personal free equivalent of the service”. The executive added it could also enable technology firms to “educate models on modern music at scale”.
Copyright has become a key issue between artists, authors and content creators on one side and tech giants on the other.
In the UK, artists and writers have raised concerns against a government suggestion to allow AI companies use protected work without permission unless the rights holder opts out. Almost every participant to a government call for evidence on the proposal has supported artists’ concerns.
The secretary of state for science, innovation and development told parliament this month there was “no clear consensus” on the matter, noting that ministers would “use the time to get this correct”. The administration has committed to make regulatory plans on AI and copyright by March 2025.
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